書籍_窯邊兄弟-雙新玻璃陶瓷展39999-0000148

窯邊兄弟--雙新玻璃陶瓷藝術勁展 內容簡介： 本次新北市與新竹市的「雙新」藝術交流，玻璃藝術從技法分類出發，看玻璃藝術家的創作技巧與工藝素質，陶瓷藝術則以釉色表現為觀察焦點，看陶藝家運用釉藥所開發的個人創作新天地。感謝新竹市文化局玻璃工藝博物館的協助，以及蕭銘芚教授與劉鎮洲教授的研究，讓我們在展覽中，邂逅浴火鳳凰的相遇，仔細品味陶瓷的釉彩與玻璃的光影之美，欣賞窯邊兄弟之間相似又迥異的對話。 展覽簡介Introduction 陶瓷與玻璃相遇 玻璃與陶瓷自古以來都是人類運用窯火製造的生活器皿，並隨著百年來臺灣工業發展成為地方特色產業，而讓新北市發展出陶瓷重鎮、新竹市成為玻璃之都，並於1980年代以來，隨著臺灣產業發展的演變，顯現類似的產業轉型處境。近年來，隨著時代趨勢的演變，傳統產業轉型結合設計等概念，開啟了文化創意產業發展，創造出各式工藝與藝術作品，讓玻璃與陶瓷不僅是生活小幫手，也成為藝術表現的一大領域。 玻璃與陶瓷這對窯邊兄弟，在材料技法與功能上有若即若離的關係。從材料科學的角度來說，玻璃屬於廣義的陶瓷材料，而陶瓷表面的釉則屬於玻璃質。一般陶瓷都是不透明的材料，經塑形、乾燥、窯燒而成，而玻璃的主要成分是二氧化矽(矽砂)，材質透明是最大的特點，相較於陶瓷成形為常溫下操作，玻璃塑形多在高溫下進行。陶瓷材料經高溫燒結後，具備堅硬、耐磨、耐高溫、抗腐蝕等特性，優異的光、熱、電磁功能，讓陶瓷與玻璃在當今產業與藝術領域中都蘊含無限的發展潛能。陶瓷的表現領域很廣，而釉就像是陶的玻璃外衣，也是陶瓷創作的一大重點。相對的，玻璃色彩的透明、半透明、不透明，以及晶瑩剔透、光鮮亮麗等特性，呈現出不同於陶瓷的美。 本展覽的玻璃部份從技法的分類賞析出發，認識玻璃藝術的多元表現，看玻璃藝術家如何以精湛的創作技巧與工藝素質，讓玻璃作品不僅實用，也展現豐厚的人文藝術風采。陶瓷部份則以現代陶藝的釉彩表現為觀察焦點，看陶藝工作者運用「釉彩」此玻璃元素，在現代藝術的啟迪下，融合中西方的釉彩文化，走出令人讚嘆的新天地。 感謝新竹市文化局玻璃工藝博物館的協助，提供新竹等地玻璃藝術家作品，也感謝新北市等地陶瓷藝術家提供作品。國立清華大學藝術與設計學系教授兼系所主任蕭銘芭以及國立臺灣藝術大學工藝設計學系教授劉鎮洲的精心研究，則讓我們得以透過技法分類以及作品賞析，看出現代陶瓷與玻璃藝術之間相似又迥異的對話。 Ceramics Meet Glass Glass and ceramic vessels are both made with kilns. Over a century, these industries became regional specialties in Taiwan, as hubs of ceramics and glass production have developed in New Taipei City and Hsinchu City, respectively. As Taiwan's industries have transformed since the 198os, creative elements have been introduced into traditional industries, which began to thrive in cultural felds with new artistic assets. Now glass and ceramic vessels are useful everyday items as well as artistic media. With overlaps in materials, techniques, and functionalities, glass and ceramics are like brothers born of the kiln. From the perspective of material science, glass is a kind of ceramic material in the general sense, and the glaze on ceramic surfaces is a kind of glass. Ceramics are usually made from opaque materials that go through forming, drying, and fring processes. Glass is mostly characterized by its transparency. It is made from silicon oxide (quartz) and, unlike the room-temperature forming process for ceramics, formed at high temperatures, which is also required by the glazing process of ceramics. After fring, ceramic materials are hard and resistant to abrasion, heat, and corrosion. Its useful optical, thermal, and electromagnetic properties give them tremendous potential. Glaze is the glassy skin for ceramics and a key dimension of creative expression in ceramic art. On the other hand, the transparency, translucence, opaqueness, and reflective as well as refractive properties present a different quality of beauty from ceramics. In the glass section of this exhibition, we explore the wide range of artistic expressions in glass, beginning with techniques, to see how glass artists create glass vessels both practical and culturally rich, with refned mastery. For the ceramics section, we focus on glazing expressions of modern ceramic art and explore how ceramic artists utilize the glassy element of glaze, inspired by modern art, to break new ground in merging Eastern and Western glazing styles. This exhibition is helped by Glass Museum of Hsinchu City, who provided us with glass art from Hsinchu and other places. We are also grateful for the ceramic artists of New Taipei City who offered their art. Moreover, we thank Professor Hsiao Ming-tun, Chair of National Tsing Hua University Department of Arts and Design and Professor Liou Chen-Chou of National Taiwan University of Arts Department of Crafts and Design, whose research gave us insight into the techniques of glass and ceramic arts, which enhanced our appreciation of the works and of the interesting relationship between glass and ceramics. 陳庭宣 出版日期：2017/03 出版單位：鶯歌陶博館 平裝 400元