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蠶絲刺繡短褲-銀灰
SILK SHORTS WITH REPEATED EMBROIDERY - SILVER
Quality: Silk with Cotton 蠶絲混紡棉質
Size: ・/ ⋯ / ⋯⋯（S / M / L)
Model: 女 170cm/48kg ( M )
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Pei: 163cm/45kg ( M )
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本季亦有採用近年流行的橫須賀面料，有別於市面上所看到的橫須賀服裝，一般採用較為誇張的彩色刺繡設計；BLANC LABEL在設計上，選擇與衣服本身相近色系的繡線，使視覺效果上帶有特色卻不會太浮誇。同時為使衣服穿著起來更柔軟舒適，所有絲質面料的款式我們皆有設計內裡，材質上我們仍舊相當講究。
精美的圖案設計搭配平整細緻的電腦刺繡技術，絕非市面上常見的廉價、稀疏之刺繡，大大提升了服裝的壽命與質感。
In this season, we also use Yokosuka clothing, which is a chic in recent years. Unlike the exaggerating colorful designed Yokosuka clothing usually seen on market, the design of Blanc Label selects similar color embroiders.Such a choice makes the visual effect outstanding but not overdone. Meanwhile,considering the comfortability of our product, all silk style products have interlinings inserted. Of course, we care a lot about and are very particular about the material we use.
Our delicate design of the patterns and the technique of electrical embroider are very different from the common, cheap, and loose embroider we now often see. Hence, the quality and life of the clothing and texture are strongly enhanced.
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精緻的刺繡圖案散落在整件褲子上，低調又顯眼。為使穿著者更舒適且比例看起來更好，我們特別加寬了鬆緊帶腰頭的部分，也壓上了固定的車線，不會有穿久了腰頭扭轉的惱人問題。我們也貼心的設計了內裡，解決了絲質容易產生透光之問題，可以不用再另穿安全褲。
We scatter exquisite embroidery patterns on the whole pants,low-keyed yet eyes-catching. In order to make the wearer feel more comfortable and look better in terms of body proportions, we particularly added widened elastic waistbands, along with fixed routes. By doing so, we can avoid the annoyance of waistband torsions which we often confront when wearing it for too long a time. With thoughtfulness, we add interlinings so that customers no longer need to worry about the translucency problems of silk – safety pants are not needed anymore.
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【設計理念 Design Concept】
本季的設計靈感來自中國唐朝詩人崔顥所寫的黃鶴樓。
還記得在我們穿著制服的年代裡，不論與朋友或情人相約，總會選在西門町的六號出口。現在，儘管已不再相約於此，卻總是在經過時想起那些懵懂又純真的歲月。六號出口就像是黃鶴樓，曾經昔人已去，空留自己徘徊於此，看著青春遠去。六號出口，就是屬於我們的黃鶴樓。
每個人的一生當中，都有著關於自己的思念或遺憾：無論是思念已別離的人，或是擦身而過的種種。有時候，卻會因為一首歌、一句話、一絲氣味，而想起那些曾經美好的一切。然而面對著現實，只能徒然感嘆「景色依舊，人事已非」。就如同此詩所呈現的情感，望著眼前悠悠的白雲，帶給觀者深深的愁緒。
「昔人已乘黃鶴去，此地空餘黃鶴樓。黃鶴一去不復返，白雲千載空悠悠。」
此次我們將運用詩句中的黃鶴、白雲以及茂盛的芳草為設計主角，藉由服裝的設計和細節的變化傳達思念的感受。
The design of this season is inspired by the poem“Yellow Crane Tower,”written by Cui Hao, a Chinese poet during the Tan Dynasty.
When we were still uniform-wearing students, Exit no.6 at Xi-min-ting was always the place we asked our friends or lovers to meet each other. Nowadays,even though Exit no.6 is no longer the popular rendezvous for us, whenever we pass by it, we feel nostalgic: nostalgic for the ages of being naive and innocent. Exit no.6 is just like Yellow Crane Tower: those who had been there are now gone, and we are left alone wandering at that place, feeling blue for the lost of our youth. Exit no.6 is our Yellow Crane Tower.
All of us, once in our lives, must have the experience of missing someone or feeling sorry about something. Sometimes, a song, a word, or a scent, may trigger our strongest nostalgia of the beautiful days we used to live in. However,facing the music, all we can do is to feel sorry that “the scenery remains, but the people changed.”
“Long ago one's gone riding the yellow crane, all that remained is the Yellow Crane Tower. Once the yellow crane left it will never return, for one thousand years the clouds wandered carelessly.”
This time, we use the images of the yellow crane, white cloud, and flourishing meadow as the protagonist of our design, in attempt to manifest the theme of lost.
產地/製造方式
台灣設計 產地中國大陸
